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Glamour appartement haussmannien apartment therapy –

The city machinist plan is l ilot haussmannien, with an hyper dense center and a disappearance of the suburbs. Le Plan Voisin includes the construction of two essential elements: Lazare to l ilot haussmannien Rue de Rivoli.

A grid of major arteries of 50, 80 or meters wide intersecting every or meters. The cruciform skyscrapers in the center of these vast plots creates a city in height.

The rest is spent on major roads, parking and parks.

Fouquet's Barrière Hotel | Maison Edouard François

Park at the foot of skyscrapers are l ilot haussmannien ground of this new city, a huge garden. In this ideal city, sunshine, green spaces and relaxation areas are privileged, circulations are clearly differentiated Rule of the seven roads ; the image is that of a geometrised city and ordered that evokes the absolutism of visionary architects of the XVIIth.

He proposes the establishment of 18 office towers of meters high in the heart of Paris, opposite the Ile Saint-Louis, which would require demolishing much of the Marais and Saint Paul district so unhealthy. It is the notion of perpetual extension. The extreme attention that Le L ilot haussmannien dedicating to the existing, also emerges in most of his theoretical writings.

Although he often expressed against any idea of erasing the past, Le Corbusier has always vigorously opposed to any idea of historical fetishism.

He writes in the Charter of Athens: You should know, in the testimonies of the past, recognize and discriminate against those who are still alive.

All that happened was not, l ilot haussmannien definition, right to the continuation: This l ilot haussmannien for old buildings has not changed after the First World War.

Rather, it is an unprecedented echo through the modern movement. The latter is denied, abandoned in the best case.


It represents the defects functionalism l ilot haussmannien seeks to combat. A single attitude seems possible if we want to progress: It is from this reflection that Le Plan Voisin taking shape. This logic of the Tabula Rasa appears related to one of the most prolific myths of modernity: The awareness of acting within historical time oriented in the direction of this teleology must necessarily be associated with the break principle with the past.

So pioneers like Walter Gropius and Hannes Meyer, who new architecture was thought as a pure creation of the mind in the l ilot haussmannien of Le Corbusier, placed the foundation for an massive architecture.


The logic was that adopted tabula rasa, working closely with the idea that the new architecture would be able, bringing with her progress, to resolve the many defects of l ilot haussmannien industrial city and by l ilot haussmannien those of the medieval city. The new radically different from the old, especially by affirming a unity of style, for hygienic principle forms with air and light, was intended to resolve the squalor of the industrial cities.

This architectural and urban mentality, this worldview had of course impacts whose traces are still visible today.

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