A Clockwork Orange may refer to: A Clockwork Orange (novel), a novel by Anthony Burgess. A Clockwork Orange (film), a film directed by Stanley. Explore Andy Maciias's board "La naranja mecanica" on Pinterest. | See more ideas about A clockwork orange, Stanley kubrick and Cinema. This video may be inappropriate for some users. Sign in to confirm your age. Watch Queue. Queue. Watch QueueQueue. Remove all.


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A Clockwork Orange - IMDb

Morality[ edit ] The film's central moral question as in many of Burgess' novels is the definition of " goodness " and whether it makes sense to use aversion therapy to stop immoral behaviour. It is, at the same time, a running lecture on free-will. His goodness is involuntary; he has become the titular clockwork orange — organic on the outside, mechanical on the la naranja mecanica.

In the prison, after witnessing the Technique in action on Alex, the chaplain criticises it as false, arguing that true goodness la naranja mecanica come from within.

A Clockwork Orange (film) - Wikipedia

This leads to the theme la naranja mecanica abusing liberties — personal, governmental, civil — by Alex, with two conflicting political forces, the Government and the Dissidents, both manipulating Alex purely for their own political ends.

Alexander fears the new government; in telephonic conversation, he says: Oh, we've seen it all before in other countries; the thin end of the wedge! Before we know where we are, we shall have the full apparatus of totalitarianism.

Alexander the Dissident Intellectual on la naranja mecanica excuse of his endangering Alex the Peoplerather than the government's totalitarian regime described by Mr.


It la naranja mecanica unclear whether or not he has been harmed; however, the Minister tells Alex that the writer has been denied the ability to write and produce "subversive" material that is critical of the incumbent government and meant to provoke political unrest. Psychology[ la naranja mecanica ] Ludovico technique apparatus Another target of criticism is the behaviourism or "behavioural psychology" propounded by psychologists John B.

Burgess disapproved of behaviourism, calling Skinner's book Beyond Freedom and Dignity "one of the most dangerous books ever written".

Although behaviourism's limitations were conceded by its principal founder, Watson, Skinner argued that behaviour modification — specifically, operant conditioning learned behaviours via systematic reward-and-punishment techniques rather than the "classical" Watsonian conditioning — is the key to an ideal society.

The film's Ludovico technique is la naranja mecanica perceived as a parody of aversion therapywhich is a form of classical conditioning. The implication is that all of the images, both real and imagined, are part of Alex's fantasies". Alex becomes "civilised" after receiving his Ludovico "cure", and the sickness in the aftermath Stern considered to be the "neurosis la naranja mecanica by society".

He is the very personification of evil. On the other hand, he has winning qualities: He also helped Kubrick on the uniform of Alex's la naranja mecanica, when he showed Kubrick the cricket whites he had.

Kubrick asked him to put the box jockstrap not under but on top of the costume. The doctor standing next to him in the scene, dropping saline solution into Alex's forced-open eyes, was a real physician present to prevent the actor's eyes from drying.

La naranja mecanica also cracked some ribs filming the humiliation stage show. This effect was achieved by dropping a Newman Sinclair clockwork camera in a box, lens-first, from the third story of the Corus Hotel.

‘La naranja mecánica’, el colmo del sobrevalorismo

To Kubrick's surprise, the la naranja mecanica survived six takes. Screenplay writer Terry Southern gave Kubrick a copy of the novel, but, as he was developing a Napoleon Bonaparte —related project, Kubrick put it aside. Kubrick's wife, in an interview, stated she then gave him the novel after having read it.

It had an immediate impact. Of his enthusiasm for it, Kubrick said, "I was la naranja mecanica by everything about it: The story functions, of course, on several levels: Novelist's response[ edit ] Burgess had mixed feelings about the film adaptation of his novel, publicly saying he loved Malcolm McDowell and Michael Batesand the use of music; la naranja mecanica praised it as "brilliant", even so brilliant that it might be dangerous.

Despite this enthusiasm, he was concerned that it lacked the novel's redemptive final chapteran absence he blamed upon his American publisher and not Kubrick.


All US editions of the novel prior to omitted the final chapter.